Taylor's broader research and teaching interests lie at the intersections of critical race studies, gender and sexuality studies, decolonial materiality, and histories of science, technology, medicine, and the occult in the non-West. Her work is invested in illuminating the occult(ed) networks, economies, and actors whose knowledge, bodies, and labor are generally rendered invisible in Eurocentric histories of global science.
In addition to her writing and research, Taylor has worked as an editor for the Arab Studies Journal and History of Anthropology Review. She works intimately with ethnographic collections, and intends to curate her own exhibit in the near future. Outside of the academy, Taylor is a semi-professionally trained vocalist specializing in late Renaissance polyphonic and early baroque music. She most recently performed with the early music collegium, Aura Polyphonica. She enjoys singing, as well as reading and writing horror/speculative fiction.